Real People. Real Names. Real Conversation. 
When we talk about The WELL, we are usually talking about the conferences, where the magic happens, where posts develop into conversations, and members become a community.
Conversation is so treasured on The WELL that members of the community banded together to buy the site in 2012. Still civil, still thoughtful, no data mining, no ads. Real People. Real Names. Real Conversation.
If you like what you see, join us!
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NOW in the Inkwell, a world-readable forum
Tom Hilton, Aldora Britain Records, starts March 24, 2026
Tom Hilton, publisher of Aldora Britain Records, discusses his experience publishing a music e-zine during an unprecedented period of transformational turbulence in the digital media environment. See the most recent issue.
JOIN the live conversation tomorrow
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BBC highlights the historic role of The WELL:
‘How the Grateful Dead built the internet‘.
“In the 1980s, years before the World Wide Web, a virtual online community emerged called the Well (the Whole Earth ‘Lectronic Link). Centred on the San Francisco Bay Area of California, the Well not only thrived in its own right, but proved to be one of the most influential factors in the birth of the internet as we know it today… “
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Now included with WELL Membership: Mastodon
the Open-Source Social Network 
Your WELL membership now gives you access to our Mastodon server and the entire Fediverse, in addition to the rich conversations in our local conferences. The Fediverse is an internet-wide social network. free of advertising, algorithms, and corporate objectives. Join us and see Mastodon Quick Start Guide to join the worldwide conversation today!
Featured Recently in The Inkwell
Unlike most conversations on The WELL, you don’t need a WELL member account to participate – this one is open to all!
State of the World 2026, Jan 1 - Feb 4, 2026
The Future of Public Radio, October 2 - Nov 13, 2025
The loss of public funding forces us to confront questions about the very identity of public radio. Will stations shift toward a more commercial model, relying heavily on corporate sponsorships? Can they adapt to new digital platforms while retaining their commitment to accessibility and diversity? Or will public radio lean more deeply into community-driven models, where audiences not only consume content but actively support and shape it?
We have assembled an illustrious panel of subject matter experts with substantial experience in Public Radio to discuss the looming challenges facing public radio stations, content producer networks, and distribution platforms as public funding is being disrupted.
VISIT the archived conversation